Tag Archive for: Katherine Ramsland

Okay, you’ve written your first, or maybe your thirty-first, shoot-’em-up, cut-’em-up cereal serial killer novel. You’re proud of the book and of all your hard work. After all, your sister’s husband’s best friend’s mother’s uncle who used to be a security guard at the mall says the bad guy in your latest book is so realistic that he makes Gacy and Bundy look like Cub Scouts. Now that’s an expert opinion, for sure!

But, did you do your homework? Are you sure you’ve written the character properly? Or, did you get your information from Dexter reruns?

Before you send the manuscript off to your editor, let’s take a moment to have a quick look at our mini serial killer checklist. You know, just to make certain your details are sound.

Number One – All serial killers absolutely LOVE Jodie Foster …

Oops, wrong list.

Hang on a second … it’s here, somewhere. I saw it just a moment ago…

Messy Desk

Ah, yes. Here we go…

Serial Killer Fact Checker

1. For the most part, serial killers are NOT loners. They don’t hang out in dark alleys hoping a potential victim will soon pass by. In fact, serial killers normally live everyday lives, working steady jobs and hanging out with everyday people.

2. Sex is NOT the only motivator behind serial killings. Greed, anger, money, the thrill of the kill, and wanting attention could all be considered as motivation for serial killings.

3. Serial killers are generally NOT wanderers who travel the highways and byways searching for their victims. Instead, they normally choose to stay within a comfortable region that’s relatively close to the center of their world (home, work, etc.).


4. Serial killers are generally NOT the super-smart geniuses we sometimes see on TV and in film. They’re also NOT always insane as defined by law. Sure, they’re usually psychopathic, but not “Elvis-lives-in-my-refrigerator-behind-the-cheesecake” crazy.

5. Serial killers can and often do stop killing. There’s no serial killer handbook rule stating they must find and kill a new victim every day for the rest of their lives.

6. Not all serial killers are white males.

7. Serial killers, as a rule, do NOT want to get caught. Instead, they become complacent and careless, and sometimes cocky, making it easier to be caught by police.

8. Not all serial killers are alike. There is no standard. Each serial killer has his/her own motivation and personality.

9. Serial killers are NOT limited to any specific race, age group, or gender.

10. Serial killers may have multiple motivations.

Finally, to help with your research

 

 

“A serial killer murders at least two people in distinctly separate incidents, with a psychological rest period between, which could be considered a time of predatory preparation. He, she, or they also choose the murder activity, such as stabbing, strangulation, shooting, or bombing, and may move around to different places or lure successive victims to a single locale. They view victims as objects needed for their ultimate goals, and manifest as addictive quality to their behavior, so that choosing murder is a satisfying act rather than merely a reaction or instrumental goal.”  Dr. Katherine Ramsland


*Jodie Foster image by Alan Light (background removed)


Full details coming soon!

 

 

The Writers’ Police Academy is pleased and excited to announce the 2022 Guest of Honor – International Bestselling author Robert Dugoni!

Robert Dugoni is the critically acclaimed New York Times, Wall Street Journal, Washington Post and #1 Amazon bestselling author of the Tracy Crosswhite police series set in Seattle, which has sold more than 8 million books worldwide.

He is also the author of The Charles Jenkins espionage series, the David Sloane legal thriller series, and several stand-alone novels including The 7th Canon, Damage Control, and the literary novels, The Extraordinary Life of Sam Hell – Suspense Magazine’s 2018 Book of the Year, for which Dugoni’s narration won an AudioFile Earphones Award and the critically acclaimed, The World Played Chess; as well as the nonfiction exposé The Cyanide Canary, a Washington Post Best Book of the Year. Several of his novels have been optioned for movies and television series.

Dugoni is the recipient of the Nancy Pearl Award for Fiction and a three-time winner of the Friends of Mystery Spotted Owl Award for best novel set in the Pacific Northwest. He has also been a finalist for many other awards including the International Thriller Award, the Harper Lee Prize for Legal Fiction, the Silver Falchion Award for mystery, and the Mystery Writers of America Edgar Award.

Robert Dugoni’s books are sold in more than twenty-five countries and have been translated into more than thirty languages.


2022 Special Guest Speaker – Steven Spingola

Known to his colleagues as “the sleuth with the proof,” Spingola is as an investigator for Cold Justice, a popular Oxygen Channel true crime program. During a 2014 episode in Vigo County, Indiana, Spingola and another investigator obtained a confession in a decades-old cold case. During an intense interrogation, suspect Clint Mackey broke down and stated, “I went back, grabbed the knife and killed her.

Steven Spingola is an investigator with a national reputation for excellence. He is a 2001 graduate of the FBI National Academy, and he holds two master’s degrees. Steven is a death investigation expert, a police-related shooting reconstruction specialist, and is formally trained as a criminal investigative analyst (profiling).

Prior to his retirement as a lieutenant of detectives with the Milwaukee Police Department (MPD), Spingola supervised all major categories of criminal investigations, including stints in the Homicide Unit, Vice Control Division, Sensitive Crimes Unit, and Violent Crimes Division. He further served as the lead investigator for the Critical Incident Unit, a group that probes police related shootings, use-of-force incidents, and other significant events. As a detective, Spingola spent several years conducting death investigations for a homicide unit with one of the highest clearance rates in the country.

Steve has authored several books: Best of the Spingola Files, Volumes 1 & 2; Predators of the Parkway: A Former Homicide Detective Explores the Colonial Parkway Murders and Staggered Paths: Strange Deaths in the Badger State.


2022 Special Guest Speaker – Dr. Katherine Ramsland

Dr. Katherine Ramsland teaches forensic psychology at DeSales University in Pennsylvania, where she is the Assistant Provost. She has appeared on more than 200 crime documentaries and magazine shows, is an executive producer of Murder House Flip, and has consulted for CSI, Bones, and The Alienist. The author of more than 1,500 articles and 69 books, including The Forensic Science of CSI, The Forensic Psychology of Criminal Minds, How to Catch a Killer, The Psychology of Death Investigations, and Confession of a Serial Killer: The Untold Story of Dennis Rader, The BTK Killer, she was co-executive producer for the Wolf Entertainment/A&E documentary based on the years she spent talking with Rader. Dr. Ramsland consults on death investigations, pens a blog for Psychology Today, and is writing a fiction series based on a female forensic psychologist.


* 2022 WPA website is currently under construction—schedule, presenters, classes, registration details, and more are coming very soon. The 2022 event is thrilling, and massive. It’s the largest hands-on event we’ve ever produced!

Attendees earn continuing education credit!

You do not want to miss this event!

June 2-5, 2022

NWTC Public Safety Training Academy – Green Bay, Wi.
Red Lion Hotel Paper Valley – Appleton, Wi.
 (Transportation between locations is provided by the WPA)
Event begins at noon on Thursday at the Fox Cities Exhibition Center in Appleton, Wi., with a huge indoor display of public safety vehicles and equipment for attendees to view and explore. Officers and firefighters will be on hand to explain the functions of these vehicles and equipment used by first responders. Q&A and demo. The stellar Exhibition Center is attached to the official WPA event hotel, Red Lion Hotel Paper Valley (will be a newly remodeled Hilton property at the time of the WPA event).

Fox Cities Exhibition Center

Within the next couple of days Writers’ Police Academy Online will officially open registration for the daylong seminar called “Mystery and Murder: Transforming Reality into Fantastic Fiction.” This incredible, one-of-a-kind event is scheduled to take place on December 5, 2020.

In the meantime, we’re hard at work adding the finishing touches—bells, whistles, and shiny doodads—the brand new website. I’m anxious for you to see it.

I’ll announce in advance, on social media and on this website, when the site will go live. When it does, registration will also be live and you may immediately sign up.

As always, the quality of our programs is more important than selling a gazillion seats; therefore class size is extremely limited to allow a better learning experience for all. Registration is on a first-come, first-served basis and will close when the maximum number of attendees sign up.

The exciting December session, featuring #1 International Bestselling Author Tami Hoag and top forensics and crime scene investigation experts Dr. Katherine Ramsland, Lisa Black, and Lisa Provost, is live and interactive. Instructors will deliver their presentations and respond to questions in real time using Zoom. Class size is limited and seats will be filled on a first-come, first-served basis.

Again, registration for this fabulous and unique online event is coming within the next couple of days, so please watch for the announcements!


Mystery and Murder: Transforming Reality into Fantastic Fiction

When: December 5, 2020


Classes and Instructors:

 

Not Just the Facts, Ma’am  

How to take all your newfound knowledge of police and forensic work and carefully weave it into the tapestry of your story.

Instructor, #1 International Bestselling Author Tami Hoag

Tami Hoag is the #1 International bestselling author of more than thirty books published in more than thirty languages worldwide, with more than forty million books in print. Renown for combining thrilling plots with character-driven suspense, crackling dialogue and well-research police procedure, Hoag first hit the New York Times bestseller list in 1996 with NIGHT SINS, and each of her books since has been a bestseller, including her latest, THE BOY. She lives in the greater Los Angeles area.

Sleuthing the Clues in Staged Homicides 

Death scenes have been staged in a variety of ways, and it takes an observant investigator to spot the signs. It might be a 911 call, an inconsistency between the scene and the narrative, an uncharacteristic suicide note, or a distinctive signature that signals something not quite right. Some set-ups have been ingenious! Ramsland uses cases to illustrate actual staged scenes, and describes the types of skills investigators need to be able to spot and reconstruct staged incidents.

Instructor, Katherine Ramsland

Katherine Ramsland is a professor of forensic psychology at DeSales University in Pennsylvania, where she also teaches criminal justice and serves as the assistant provost. She holds a master’s in forensic psychology from the John Jay College of Criminal Justice, a master’s in clinical psychology from Duquesne University, a master’s in criminal justice from DeSales University, and a Ph.D. in philosophy from Rutgers. She has been a therapist and a consultant. Dr. Ramsland has published over 1,000 articles and 66 books.

Dr. Ramsland’s background in forensics positioned her to assist former FBI profiler John Douglas on his book, The Cases that Haunt Us, to co-write a book with former FBI profiler, Gregg McCrary, The Unknown Darkness, to collaborate on A Voice for the Dead with attorney James E. Starrs on his exhumation projects, and to co-write a forensic textbook with renowned criminalist Henry C. Lee, The Real World of a Forensic Scientist.

For seven years, she contributed regularly to Court TV’s Crime Library, and now writes a column on investigative forensics for The Forensic Examiner and a column on character psychology for Sisters in Crime; offers trainings for law enforcement and attorneys; and speaks internationally about forensic psychology, forensic science, and serial murder.


The Call You Get is Not Always the Call You Get: When a Routine Death Investigation Crosses State Lines and Multiple Jurisdictions

Case Study – On Valentine’s Day, 2014, the staff of a local dialysis clinic were worried. One of their elderly patients had missed three appointments. They called 911 and asked if officers could check on their patient, wondering if maybe he’d fallen and needed assistance. When officers arrived on scene, they found the elderly patient deceased from an apparent medical apparatus failure. At least that’s what it looked like at first; however, they’d uncovered a homicide. This convoluted investigation took Lisa Provost and members of her CSI team two states away during their investigation.

Instructor – Lisa Provost, Aurora Colorado Police Department Forensic Supervisor

Lisa Provost began studying Forensic Biology at Guilford College, in Greensboro, N.C., where she received a bachelor’s degree in Forensic Biology. In December 2012, she joined the Fayetteville Police Department as a Forensic Technician. 

During her time as a Forensic Technician trainee, Lisa completed a six-month instruction program with the Fayetteville Police Department which culminated with a one-week exam and oral review board. With the training and testing behind her, Lisa began working the road. Her passion for learning and for her work were the catalysts that pushed her to attend advanced training courses, in earnest. In May 2015, she was promoted to Forensic Supervisor overseeing Fayetteville PD’s Forensic Unit. 

Four years later, Lisa accepted a position with the Aurora Colorado Police Department as a Forensic Supervisor. So, she and her husband, an Air Force veteran, packed their belongings and moved to Colorado.

 In 2016. Lisa attended the Management Development Program at the N.C. Carolina Justice Academy. In its twenty-eight-year history, at the time the program was held, Lisa was the only civilian accepted into the program and, of the nineteen attendees in the program, Lisa was the only female. The five-hundred-hour leadership training program was completed over an eleven-month period and, besides the completion of her bachelor’s degree, is one of her proudest achievements.

In addition, Lisa has completed over five-hundred-hours of forensic training that includes basic death investigation, child death investigation, advanced child death investigation, and officer-involved shooting investigations.

Lisa Provost was was born and raised in NY state where she started dating the man who would later become her husband. The couple married in 1998, the time when he enlisted in the U.S. Air Force. In 2003, when her husband’s enlistment was complete, they moved to North Carolina.


Little Known Facts About Crime Scenes 

An in-depth look at the problems and challenges with crime scene evidence such as fingerprints, arson, bite marks, and more. Instructor, Lisa Black

Lisa Black is the NYT bestselling author of 14 suspense novels, including works that have been translated into six languages, optioned for film, and shortlisted for the inaugural Sue Grafton Memorial Award. She is also a certified Crime Scene Analyst and certified Latent Print Examiner, beginning her forensics career at the Coroner’s office in Cleveland Ohio and then the police department in Cape Coral, Florida. She has spoken to readers and writers at numerous conferences and will be a Guest of Honor at 2021 Killer Nashville.

In her August release, Every Kind of Wicked, forensic scientist Maggie Gardiner and homicide detective Jack Renner track down a nest of scammers. www.lisa-black.com


More spectacular online workshops, seminars, and webinars are on the way!! Details about the January and February daylong seminars are coming soon!

For over a dozen years the Writers’ Police Academy has delivered sensational hands-on training, as well as the extremely popular Virtual MurderCon event that took place in August, 2020.

During those twelve-plus years, many writers, fans, readers, and law enforcement professionals requested that we develop online courses since many people would love to attend our in-person events but are unable to do so for various reasons.

A few years ago I asked our website guru, Shelly Haffly, to create an online teaching platform that would run in conjunction with this blog. Unfortunately, it has sat dormant since that day. My reason for not launching the program was that some of the pre-designed, built-in functions were a bit too complicated for my “tech-less” mind. However, with the rise of Zoom and other video conferencing and teaching programs, well, the time is now right.

So, without further delay, I’m pleased to announce that “Writers’ Police Academy Online” will officially open its virtual doors in October, 2020. The all new website is currently under construction and registration will soon be available for the first daylong seminar called “Mystery and Murder: Transforming Reality into Fantastic Fiction.”

This first session is live and interactive, meaning that instructors will deliver their presentations and respond to questions in real time. By the way, the instructors for this first seminar are fantastic!

Registration for this fabulous and unique online event is coming soon!


Mystery and Murder: Transforming Reality into Fantastic Fiction

When: October 24, 2020


Classes and Instructors:

 

Not Just the Facts, Ma’am  

How to take all your newfound knowledge of police and forensic work and carefully weave it into the tapestry of your story.

Instructor, #1 International Bestselling Author Tami Hoag

Tami Hoag is the #1 International bestselling author of more than thirty books published in more than thirty languages worldwide, with more than forty million books in print. Renown for combining thrilling plots with character-driven suspense, crackling dialogue and well-research police procedure, Hoag first hit the New York Times bestseller list in 1996 with NIGHT SINS, and each of her books since has been a bestseller, including her latest, THE BOY. She lives in the greater Los Angeles area.

Sleuthing the Clues in Staged Homicides 

Death scenes have been staged in a variety of ways, and it takes an observant investigator to spot the signs. It might be a 911 call, an inconsistency between the scene and the narrative, an uncharacteristic suicide note, or a distinctive signature that signals something not quite right. Some set-ups have been ingenious! Ramsland uses cases to illustrate actual staged scenes, and describes the types of skills investigators need to be able to spot and reconstruct staged incidents.

Instructor, Katherine Ramsland

Katherine Ramsland is a professor of forensic psychology at DeSales University in Pennsylvania, where she also teaches criminal justice and serves as the assistant provost. She holds a master’s in forensic psychology from the John Jay College of Criminal Justice, a master’s in clinical psychology from Duquesne University, a master’s in criminal justice from DeSales University, and a Ph.D. in philosophy from Rutgers. She has been a therapist and a consultant. Dr. Ramsland has published over 1,000 articles and 66 books.

Dr. Ramsland’s background in forensics positioned her to assist former FBI profiler John Douglas on his book, The Cases that Haunt Us, to co-write a book with former FBI profiler, Gregg McCrary, The Unknown Darkness, to collaborate on A Voice for the Dead with attorney James E. Starrs on his exhumation projects, and to co-write a forensic textbook with renowned criminalist Henry C. Lee, The Real World of a Forensic Scientist.

For seven years, she contributed regularly to Court TV’s Crime Library, and now writes a column on investigative forensics for The Forensic Examiner and a column on character psychology for Sisters in Crime; offers trainings for law enforcement and attorneys; and speaks internationally about forensic psychology, forensic science, and serial murder.


The Call You Get is Not Always the Call You Get: When a Routine Death Investigation Crosses State Lines and Multiple Jurisdictions

Case Study – On Valentine’s Day, 2014, the staff of a local dialysis clinic were worried. One of their elderly patients had missed three appointments. They called 911 and asked if officers could check on their patient, wondering if maybe he’d fallen and needed assistance. When officers arrived on scene, they found the elderly patient deceased from an apparent medical apparatus failure. At least that’s what it looked like at first; however, they’d uncovered a homicide. This convoluted investigation took Lisa Provost and members of her CSI team two states away during their investigation.

Instructor – Lisa Provost, Aurora Colorado Police Department Forensic Supervisor

Lisa Provost began studying Forensic Biology at Guilford College, in Greensboro, N.C., where she received a bachelor’s degree in Forensic Biology. In December 2012, she joined the Fayetteville Police Department as a Forensic Technician. 

During her time as a Forensic Technician trainee, Lisa completed a six-month instruction program with the Fayetteville Police Department which culminated with a one-week exam and oral review board. With the training and testing behind her, Lisa began working the road. Her passion for learning and for her work were the catalysts that pushed her to attend advanced training courses, in earnest. In May 2015, she was promoted to Forensic Supervisor overseeing Fayetteville PD’s Forensic Unit. 

Four years later, Lisa accepted a position with the Aurora Colorado Police Department as a Forensic Supervisor. So, she and her husband, an Air Force veteran, packed their belongings and moved to Colorado.

 In 2016. Lisa attended the Management Development Program at the N.C. Carolina Justice Academy. In its twenty-eight-year history, at the time the program was held, Lisa was the only civilian accepted into the program and, of the nineteen attendees in the program, Lisa was the only female. The five-hundred-hour leadership training program was completed over an eleven-month period and, besides the completion of her bachelor’s degree, is one of her proudest achievements.

In addition, Lisa has completed over five-hundred-hours of forensic training that includes basic death investigation, child death investigation, advanced child death investigation, and officer-involved shooting investigations.

Lisa Provost was was born and raised in NY state where she started dating the man who would later become her husband. The couple married in 1998, the time when he enlisted in the U.S. Air Force. In 2003, when her husband’s enlistment was complete, they moved to North Carolina.


Little Known Facts About Crime Scenes 

An in-depth look at the problems and challenges with crime scene evidence such as fingerprints, arson, bite marks, and more. Instructor, Lisa Black

Lisa Black is the NYT bestselling author of 14 suspense novels, including works that have been translated into six languages, optioned for film, and shortlisted for the inaugural Sue Grafton Memorial Award. She is also a certified Crime Scene Analyst and certified Latent Print Examiner, beginning her forensics career at the Coroner’s office in Cleveland Ohio and then the police department in Cape Coral, Florida. She has spoken to readers and writers at numerous conferences and will be a Guest of Honor at 2021 Killer Nashville.

In her August release, Every Kind of Wicked, forensic scientist Maggie Gardiner and homicide detective Jack Renner track down a nest of scammers. www.lisa-black.com


More spectacular online workshops, seminars, and webinars are on the way!! Details TBA.

 

Serial killers may attack anywhere at any time. However, depending upon whether or not the murderer is organized or disorganized, those two factors can affect location and timing.

The set up, or initial place(s) where the killer(s) first meet their intended victim(s) varies. However, the majority of initial contact locations are areas known for vice activity, such as places frequented by prostitutes and/or drug users and dealers.

Secondary target areas include outdoor locations such as public parks and vehicle parking areas, etc.

A third choice location, but not the most favored, is the victim’s home, either by forced entry or by ruse. Also, indoor public locations such as bus stations, shopping malls, and places of business.

Breaking this down even further, we know from past experience and knowledge, that initial assaults by serial killers tend to most likely occur in outdoor public locations. Again, public parks, etc. The next prime attack location is a victim’s home. And, if the killer knows his victims, his own home may be another choice spot to kill.

Organized Killers

Organized killers are typically of above average to average intelligence. They’re often thought to be attractive. They’re neat and tidy and are often married or living with a partner during the times they committed their crimes. They hold jobs, are typically educated, and are skilled at their profession. They look to be in control. And they often have above average knowledge of police and forensics procedures. They enjoy reading and hearing about their crimes, with a particular affection for seeing their crime scenes in the media. It is not unusual at all  for an organized killer to make contact with the media, or even the police.

Having carefully plan their crimes, organized offenders frequently go the extra mile to prevent leaving evidence behind. Their killings may be premeditated.

Killers in this group are antisocial and often psychopathic—they lack of empathy and other emotions. They’re manipulative of others. The tricky thing when dealing with organized criminals is that they perpetually appear quite normal, and they’ll do their best to use charm to their advantage.

They’re not insane and they definitely know right from wrong, but they lack conscience and feel or show no remorse for the deeds.

Dennis Rader, the BTK Killer, is an example of an organized killer/criminal.

Dr. Katherine Ramsland is a renowned expert on serial killers and she details Rader’s crimes in her book Confession of a Serial Killer: The Untold Story of Denis Rader the BTK Killer. As part of her research, Dr. Ramsland spoke with Rader by telephone once a week for an entire year. Each week, Rader called her from the El Dorado Correctional Facility and the two of them talked for an hour or so. Also as part of her process of delving into Rader’s mind, Dr. Ramsland played chess, by mail, with the killer.

As many of you know, Dr. Ramsland is a regular presenter at the Writers’ Police Academy.

Disorganized Killers

Disorganized killers/criminals typically do not plan their crimes in advance. They quite often leave evidence at the scenes of their crimes, such as fingerprints, footprints, DNA, tire tracks, or blood. They’re also known to simply leave the body as is, making no real attempt to conceal it or to prevent leaving telltale evidence such as semen or saliva. Their crimes are sometimes chaotic.

Disorganized killers tend to be younger in age. They’re unskilled workers who have no problem depersonalizing their victims. They may be mentally ill. They’re often of below average intelligence who lack communication and social skills. Many come from dysfunctional and/or abusive families. They may have been sexually abused by relatives, and they may present with sexual detestation. They’re loners who often travel on foot to commit crimes due to a lack of transportation. These are the neighbors of their victims. They’re often under the influence of drugs and/or alcohol when they commit their crimes.

Jack the Ripper, for example, was a killer who made no effort to conceal the bodies of his victims.

This is the killer who uses a sudden and quick attack to overpower their victims.

Race

White offenders are far more apt (over double) to meet their victims in an outdoor public place (a park or somewhere similar), while African American offenders tend to prefer a less conspicuous location. African American offenders, however, are more prone to choose a meeting place that’s in vice areas (locations where prostitution is known to exist, etc.) than do white offenders.

Location

Serial killers tend to commit murder in public locations. Their next choice is typically the homes of the victims.

For example, in the late 1980s, serial killer Timothy Spencer (the Southside Strangler) raped and killed four women—Debbie Dudly Davis, 35, an account manager, Susan Elizabeth Hellams, 32, a neurosurgeon, and Diane Cho, 15, a high school freshman, and Susan M. Tucker, 44, a federal employee.

Spencer committed those brutal murders while living at a Richmond, Virginia halfway house after his release from a three-year prison sentence for burglary. He killed the first three women on the weekends during times when he had signed out of the facility.

Officials had not yet linked Spencer to the murders, so they granted him a furlough to visit his mother’s home for the Thanksgiving holiday. Susan Tucker’s body was found shortly after the time Spencer returned to and signed in at the halfway house.

Police learned that Spencer entered the women’s homes through windows. Then he raped, sodomized, and choked them to death using ligatures. He’d made the ligatures in such a way that the more the victims struggled, the more they choked.

All four were discovered nude or partly clothed. Their hands were bound, and either rope, belts, or socks were tied around their necks.

Spencer had left no evidence behind other than DNA evidence. At the time DNA testing in criminal cases was new.

Spencer later was also implicated in the murder of lawyer Carolyn Jean Hamm, 32, in Arlington, Virginia. He was also thought to have raped at least eight additional women. However, he was never tried in those cases because he’d already been sentenced to death.

Spencer, by the way, was the first person in the U.S. executed for a conviction based on DNA evidence.

Patricia Cornwell’s first book, Post Mortem, was based on the Spencer murders.

In the spring of 1994, I served as a witness to Spencer’s execution by way of the electric chair. His death was gruesome.

 

Writers generally fall into one of two categories, panthers or plotters. Writers, you share these traits with killers, and this could be the reason your books are so devilishly delightful.

The Plotter

plotter starts each writing project with a plan, and before typing the first word of a new story they know how and why each action happens. They have a clear picture of their characters and setting. Plotters generally know where they’re going and how they’ll get there. They also know where and when they’ll stop along the way.

Plotter’s offices are decorated with multi-colored stick notes (red for character A, blue for character B, yellow for character C, etc.), and photos of celebrities cut from People magazine to use as inspiration for characters. Neatly organized stacks of notebooks filled with research material stand at ready on the surfaces of uncluttered desks. Pens are lined up next to keyboards, like sardines in tin cans. A predetermined word count must be reached each day.

A great example of a true plotter is top bestselling author Jeffery Deaver. Jeff once told me that he conducts extensive research and plotting for six months or longer prior to writing the first word of a new book. He’s extremely meticulous and organized, and records massive amounts of notes. Yet, he weaves this factual material into a story without even the slightest hint of an information dump.

Roadside Crosses

I often tell the story where, while reading Deaver’s Roadside Crosses, I learned about the use of a hard drive enclosure to retrieve data from a computer that had been rendered useless after having been immersed in ocean water. And, ironically, not long after reading the book my personal computer crashed and would no longer work. Obviously, I had a ton of material I couldn’t afford to lose so I purchased a hard drive enclosure and was able to recover all of my files. This detail in the book was real, but Jeff had smartly included it in a work of fiction without it seeming as if I’d attended a lesson on electronic devices. He’s a brilliant writer.

The Panster

A pantser is someone who powers-up the Mac, enjoys a long gulp of coffee, and then hands over the entire book to their characters, and it is they, not the writer, who do the majority of the walking and talking and thinking, all with very little help. Pansters are not much more than stenographers who works for their characters. They are the vehicles that transform characters’ ideas and actions into words on a page.

A panster’s writing journey, like that of the plotters, begins at point A. However, the panster often has not a single clue in advance how they’ll reach point B. The convoluted paths traveled will often be as much as a surprise to the author as it will be to the reader. They know where they’re going, but not how they’ll get there.

Still, no one is all-in as a panster or as a plotter. Things change as stories evolve and the writer must adapt. And both methods work well for both types of writers. I’m a panster and my wife Denene, the scientist, is a plotter.

Billy Bob Thornton is a Pantser

Billy Bob Thornton used the panster approach when writing the script for the movie Slingblade. Thornton has said that he likes to write late at night, generally between the hours of midnight and six in the morning. He says he writes in the “stream of consciousness fashion” and doesn’t rewrite. He writes his projects all at once. The actor/screenwriter/director wrote Slingblade, for example, in nine days.

Thornton had the character Carl in mind in advance, basing him on a blend of two people he knew from his past, a black man and a white man. He incorporated the look and mannerisms and walk from the black man, and the situation from the white man. The white man, according to Thornton, was fed in his backyard, like a dog. This combination of the two real-life men was the starting point for Carl’s character and story. The rest of Thornton’s tale flowed from there, without the benefit of notes, planning, or plotting.

Now, what does this have to do with murderers? Well …

Organized Killers

Organized killers, the “panthers,” have above average to average intelligence. They’re often thought to be attractive. They’re neat and tidy and are often married or living with a partner during the times they committed their crimes. They hold jobs, are typically educated, and are skilled at their profession. They look to be in control. And they often have above average knowledge of police and forensics procedures. They enjoy reading and hearing about their crimes, with a particular affection for seeing their crime scenes in the media. It is not unusual at all  for an organized killer to make contact with the media, or even the police.

Organized offenders carefully plan their crimes. They go the extra mile to prevent leaving evidence behind. Their killings are often premeditated. Killers in this group, the “plotters,” are antisocial and often psychopathic—they lack of empathy and other emotions. They’re manipulative of others. The tricky thing when dealing with organized criminals is that they often appear quite normal, and they’ll do their best to use charm to their advantage.

They’re not insane and they definitely know right from wrong, but they lack conscience and feel or show no remorse for the deeds.

Dennis Rader, the BTK Killer, is an example of an organized killer/criminal.

Dr. Katherine Ramsland is a renowned expert on serial killers and she details Rader’s crimes in her book Confession of a Serial Killer: The Untold Story of Denis Rader the BTK Killer. As part of her research, Dr. Ramsland spoke with Rader by telephone once a week for an entire year. Each week, Rader called her from the El Dorado Correctional Facility and the two of them talked for an hour or so. Also as part of her process of delving into Rader’s mind, Dr. Ramsland played chess, by mail, with the killer.

As many of you know, Dr. Ramsland is a regular presenter at the Writers’ Police Academy.

Disorganized Killers

Disorganized killers/criminals, “the pantsers” of the criminal world, typically do not plan their crimes in advance. They often leave evidence at the scenes of their crimes, such as fingerprints, footprints, DNA, tire tracks, or blood. They’re also known to simply leave the body as is, making no real attempt to conceal it or to prevent leaving telltale evidence such as semen or saliva. Their crimes are sometimes chaotic.

Disorganized killers tend to be younger in age. They’re unskilled workers who have no problem depersonalizing their victims. They may be mentally ill. They’re often of below average intelligence who lack communication and social skills. Many come from dysfunctional and/or abusive families. They may have been sexually abused by relatives, and they may present with sexual detestation. They’re loners who often travel on foot to commit crimes due to a lack of transportation. These are the neighbors of their victims.

Jack the Ripper, for example, was a killer who made no effort to conceal the bodies of his victims.

*No, I do not actually believe writers are potential serial killers. Then again, we still don’t know the identity of Jack the Ripper. For all we know, he/she was the author of great works of fiction and his/her killings were part of a gruesome research project.

The Writers’ Police Academy (WPA) first opened its doors eleven years ago as a means to help writers breathe life into their stories. Not that books weren’t already fantastic, it’s just that many were missing intricate details, the things that make scenes come alive and dance and sing and undulate on the page. Missing were the smells, tastes, touches, sounds, and the sights seen and experienced by cops, witnesses, and victims of various crimes, and their family and friends. Emotion and anticipation and aftermath were, well, not there.

It wasn’t the fault of the writers that they’d not once set foot inside an actual murder scene, or driven like a bat out of hell through city streets and alleyways while pursuing a dangerous killer. Many authors, believe it or not, had not once ever shot someone. Nor had they been stabbed, cut, or shot at. They’d not trekked through acres of wooded land to search for an armed serial killer or prison escapee.

Honestly, it’s impossible to perfectly describe something we’ve not done or seen. Imagine trying to write a scene about heart surgery when you’ve not, as they say, been there/done that. I wouldn’t know where to start other than a Google search. Sure, the process is there but it doesn’t do a thing to activate the senses. Therefore, the scene would come across as flat and lacking true emotion. The same is so when writing about cops and crime scenes.

So yes, those spots of intricate detail were missing from many a good crime book that had the potential of being great ones.

Back to the WPA, though, the hands-on event where writers participate in actual police training and live-action scenarios. During the action-packed weekend, writers fire weapons, drive patrol cars in pursuits, exchange gunfire with bad guys, handcuff criminals, and much, much more. It’s a weekend that stirs emotion and adrenaline, and writers leave with a treasure trove of first-hand knowledge of the world of cops and criminals.

This year, the WPA has gone a step further, dedicating the entire event to murder investigations. Aptly named, MurderCon, the special event will expose writers, readers, fans, etc., to insider information, tactics, techniques, and tools of the homicide investigation trade. And, to sweeten the pot, MurderCon takes place at Sirchie’s headquarters and training complex, a secure facility tucked away in the countryside near Raleigh, N.C. Sirchie is the world leader in crime scene technology.

The WPA is NOT a typical writers conference

I’ve said all of the above to bring me to this particular question. What happens when writers and police instructors and other law enforcement and forensics experts come together? Well, the result is amazing to say the least. Writers learn from the experts and the experts learn from the writers. It’s a meshing of ideas and thoughts and experiences that lasts a lifetime. The experience of attending the WPA has even been described as life changing. It’s that powerful.

The stories generated from the meetings of writers and WPA law enforcement and forensics professionals are unique. They’re detailed. They’re packed full of real-life emotion. Adrenaline courses throughout the pages. No longer are many fictional cop tales lacking true heart-pounding scenes.

Like the odor of swamp water and crab boils pour into the room after opening the covers of a James Lee Burke novel, blue lights winking and blinking and flashing, wailing sirens, and hearts pounding and thumping behind steamy-hot, perspiration-soaked Kevlar vests now emanate from mystery, thriller, suspense, and romance novels that feature cops.

It was my goal to help writers “get it right” and it warms my heart to see the end result of the WPA and all of the hard work and dedication of the hundreds of instructors, staff, and volunteers who’ve made the WPA what it is today … a real life-changer.

When Cops and Writers Come Together AFTER MIDNIGHT

It was a long time in the making, but this day finally arrived. For a while now, I’d hoped to bring together WPA instructors, supporters, and special guests and speakers, all in a single place where they could join forces to reach out the world, as a single entity.

My desire was to have this group meet during the hours known as the graveyard shift, that time of night—between the hours of midnight and dawn—when most mysterious and strange goings-on occur.

Well, a date and location for the meeting was set and the group finally came together, each arriving separately in a plain unmarked vehicle with dark, tinted windows.

A lone hoot owl sounded in the distance, beyond the spot where the light of single lantern spilled out across a row of marble and granite markers. This was the designated meeting spot and it was there where the group came together.

Lee Child, creator of the Jack Reacher series, presided over the meeting and called it to order, silencing the nervous chatter. He quickly stated the group’s mission and then instructed each participant to compose a story, a tale of mystery and suspense with a twisted ending and a carefully woven plot. Then he enlisted the assistance of Phoef Sutton, another bestselling author who’s also known for his work on the award-winning television shows CHEERS and BOSTON LEGAL, and a slew of Hallmark Mysteries. Sutton was given the task of editing the stories told by the carefully selected group of writers and law enforcement folks.

Several months later, boiling up and out of the cauldron, came a much-anticipated anthology, AFTER MIDNIGHT: TALES FROM THE GRAVEYARD SHIFT, published by Level Best Books.

Today, AFTER MIDNIGHT is now available to you, both as a Kindle book and in paperback. And thanks to the generosity of everyone involved in the project, proceeds from the book benefit the Writers’ Police Academy.

Here’s how to order your copy. Click on your preference. (Amazon will merge the two on a single page as soon as possible).

AFTER MIDNIGHT: TALES FROM THE GRAVEYARD SHIFT


The Authors and Their Stories

To learn more about the stellar cast of AFTER MIDNIGHT authors, click the links below.

Lucky Cop by RJ Beam
The Brass Ring by Michael A. Black
Sunshine Berkman by Joseph S Bonsall
Ride Along by Allison Brennan
Neighborhood Watch by Ry Brooks
The Bookends Murder by Robin Burcell
Gentrified Homicide by Marco Conelli
Prime Rib from Brahma by Les Edgerton
The Devil in the Flesh by Heather Graham
Justifiable Homicide by Lisa Klink
Rookies by Howard Lewis
LeishMANIA by Denene Lofland
The Sheriff of Macabre County by Lee Lofland
Code Murder by Linda Lovely
Baddest Outlaws by Rick McMahan
A Confluence in Stow by Emilya Naymark
Shared Secrets by Carrie Stuart Parks
The Case of the Staring Man by Katherine Ramsland
Panther Bait by Mike Roche
Disco Fries and Homicide by Shawn Reilly Simmons
3:45 in the Peacock Room of the Channel Grill on 6th Street 
by Phoef Sutton
Hostage (A Love Story) by Cheryl Yeko
With a Foreword by Lee Child

 

 

Criminal Minds: Where It Began

The FBI’s first profiles were basically shots in the dark that hit the target.

By Dr. Katherine Ramsland

They didn’t have computers when Howard Teten founded the initial efforts of what would eventually become the FBI’s Behavioral Analysis Unit. They didn’t have much in the way of a database. They faced resistance from colleagues who viewed psychology as silliness and muddle. But they had good instincts.

Howard Teten and Patrick Mullany are credited with making the earliest behavioral analyses for difficult cases.

“By about 1960,” Teten says, “I had developed a hypothesis that you’d be able to determine the kind of person you were looking for by what you could see at the crime scene.”

To compile a collection for analysis and comparison, Teten had reviewed unusual homicides from several police agencies, as well as from the California Identification Officers Association. To test himself and develop his approach, he’d set up an experiment.

“When I received the information,” he said, “I would examine all the data and prepare a tentative description of the perpetrator. Then I would look at the individual found to have committed the crime and compare the perpetrator to my description.” To check himself on the details of psychological disorders, he consulted with two psychiatrists.

In 1970, Teten offered his own first profile. The stabbing murder of a woman in her home had stymied local law enforcement. Teten considered the circumstances, looked at their documents, and said that it was the work of an adolescent who lived close to the victim. This boy would feel guilty and ashamed. When confronted, he’d immediately confess. To find him, they should just go knock on doors in the immediate neighborhood. This prediction turned out to be right.

Teten soon teamed up with Patrick Mullany, who specialized in abnormal psychology. Together, they initiated the criminal psychology program, a 40-hour course. They presented behavioral analysis as one among many investigative tools. As they acquired cases for demonstration, they were asked for assistance with a stalled investigation of a kidnapping.

Mullany describes the abduction of Susan Jaeger as their first real challenge. Despite how the TV shows and movies make this look easy, it was anything but.

Susan had disappeared during a family camping trip in Montana in June 1973. Someone had sliced through the tent fabric and grabbed the seven-year-old before she could cry out. It had been a bold abduction and the family was devastated, but the site had yielded no physical evidence to help with leads. When no ransom demand had arrived, local investigators had feared the worst. They’d called in the FBI. About 10 months later, Special Agent Pete Dunbar attended the psychology training and asked Teten and Mullany to take a look.

Mullany believed that the perpetrator was a local resident, a Caucasian male who’d spotted an opportunity. He would have an impaired history of relationships and would tend to stay to himself. He had military experience and he’d killed before, and possibly since. It was likely he’d taken Susan to kill her. He’d also collect trophies, i.e. body parts.

They looked at other murders and missing persons cases in the general area, but none was similar.

An anonymous caller had suggested David Meirhofer, a 23-year-old Vietnam veteran, but when questioned, Meirhofer had been polite, articulate, well-dressed, and helpful. He seemed an unlikely candidate to local investigators. Under the influence of truth serum, he’d taken a polygraph and passed.

Still, he had many of the traits and behaviors that the agents had described. Mullany and Teten were convinced Meirhofer was a cold-hearted psychopath who could lie easily.

“Pat and I discussed his profile,” Teten recalls, “and then advised the Montana agent that this type of personality can pass a polygraph. For this reason, he should still be considered a suspect.”

Their belief in Meirhofer’s guilt failed to find support, even with Dunbar, who’d invited them into the case. Still, they were determined to see it through.

They urged the Jaegers to keep a tape recorder by their phone, and this hunch was solid. On the first anniversary of the abduction, a man called the Jaegers to say that Susan was with him. Mrs. Jaeger surprised him when she forgave him, provoking tears. The trace failed and voice analysis indicated that this caller could have been Meirhofer, but it was not definitive.

A 19-year-old woman, Sandra Dyckman, disappeared in 1974 and Meirhofer was again named as a suspect. (She had refused a date with him.) Human bone fragments discovered on an abandoned ranch near where Meirhofer had worked launched a more thorough investigation.

In an attempt to throw him off balance, Mullany urged Mrs. Jaeger to travel to Montana and confront him.

She did so. Although Meirhofer still denied involvement, he called her again, pretending to be someone else. She recognized his voice and called him David. This greatly upset him. But the FBI had traced the call and was able to arrest him.

They now had enough evidence for a warrant to search his home, where police discovered human remains wrapped in packages labeled “Deerburger.” One contained a hand that was identified as Sandra’s.

The day before Meirhofer committed suicide, he admitted to four murders, including Susan’s. Teten and Mullany believed that his motive had been the thrill of killing for sport. They thought he’d had a comorbid condition, schizopathy – a mix of psychopathy and simple schizophrenia.

Despite doubts about Teten and Mullany’s behavioral profile, their approach was vindicated.

*     *     *

Dr. Katherine Ramsland has published 44 books and over 1,000 articles, and recently had a #1 bestseller on the Wall Street Journal’s nonfiction list. She teaches forensic psychology and criminal justice at DeSales University in Pennsylvania and offers trainings on psychological aspects of investigations. She writes a blog, “Shadow Boxing” for Psychology Today, speaks widely on serial killers and psychopaths, and is a frequent commentator on crime documentaries. She has appeared on 20/20, 48 Hours, Larry King Live, and numerous cable programs.