This year, the Writers’ Police Academy (WPA) spread its wings a bit with the introduction of our first publication, an anthology titled AFTER MIDNIGHT: TALES FROM THE GRAVEYARD SHIFT.
The curtain rises on this collection of twisted tales, revealing the words of bestselling thriller author Lee Child. Child sets the stage for a series of mysterious and strange goings-on that occur between the hours of midnight and dawn … the graveyard shift.
Contributing authors in this first anthology produced by the Writers’ Police Academy, include bestselling mystery and crime authors, top television writers, true crime experts, and more.
In addition to the stellar lineup of top authors, the WPA announced an exciting contest, a chance for two talented writers to have their stories included in this “killer” book.
Once the contest closed the task of judging the entries began. To give you an idea of the process and superb quality of stories received, here’s a statement from the publisher, Level Best Books.
“A large number of very good stories were submitted for the two available spots. We certainly could have filled another whole anthology considering the quality of stories we received. All of the submissions were read blindly by a panel of three judges, who were anonymous to each other during the process.”
While all stories were exceedingly good, the judges selected two to include in the AFTER MIDNIGHT anthology.
And the winners are …
A Confluence in Stow
After Midnight Anthology Details
- Title: AFTER MIDNIGHT: TALES FROM THE GRAVEYARD SHIFT
- Publisher – Level Best Books
- ISBN: ISBN: 978-1-947915-11-4
- Publication Date: August 1, 2019
- Edited by Phoef Sutton
- Foreword by #1 Internationally best selling author Lee Child
About the Editor
Phoef Sutton is a New York Times Bestselling author and winner of two Emmy Awards for his work on the classic television comedy CHEERS. Phoef also won a Peabody Award for the popular legal drama BOSTON LEGAL starring James Spader, William Shatner, and Candice Bergen. Lately, he’s been writing television movies for the Hallmark Movies & Mysteries channel.
The Authors and Their Twisted Tales
Lucky Cop by RJ Beam (bloodstain pattern expert, WPA and police academy instructor, author)
The Brass Ring by Michael A. Black (author, retired law enforcement expert)
Sunshine Berkman by Joseph S Bonsall (singer with the Oak Ridge Boys – the voice on the hit song Elvira, and more – author, banjo picker, and longtime support of the WPA)
Ride Along by Allison Brennan (Bestselling author)
Neighborhood Watch by Ry Brooks (AFTER MIDNIGHT contest winner)
The Bookends Murder by Robin Burcell (retired law enforcement and bestselling author)
Gentrified Homicide by Marco Conelli (retired undercover detective, author, WPA instructor)
Prime Rib from Brahma by Les Edgerton (Bestselling author and writing teacher/coach)
The Devil in the Flesh by Heather Graham (international bestselling author and 2019 MurderCon Guest of Honor)
Justifiable Homicide by Lisa Klink (television writer – Star Trek Deep Space Nine)
Rookies by Howard Lewis (WPA staff, martial arts expert, author)
LeishMANIA by Denene Lofland (Bioterrorism and microbiology expert, author, founder and host of the WPA)
The Sheriff of Macabre County by Lee Lofland (retired law enforcement, author of Police Procedure and Investigation, founder and host of the WPA)
Code Murder by Linda Lovely (Author, editor, WPA staff)
Baddest Outlaws by Rick McMahan (retired ATF Special Agent, law enforcement instructor, WPA instructor)
A Confluence in Stow by Emilya Naymark (AFTER MIDNIGHT contest winner)
Shared Secrets by Carrie Stuart Parks (forensic artist, former WPA special guest presenter, author)
The Case of the Staring Man by Katherine Ramsland (author of over 1,000 books, professor of forensic psychology, TV consultant and on-air personality, longtime WPA presenter and expert)
Panther Bait by Mike Roche (Secret Serve Special Agent, author)
Disco Fries and Homicide by Shawn Reilly Simmons (publisher/editor Level Best Books, author)
3:45 in the Peacock Room of the Channel Grill on 6th Street
by Phoef Sutton (bestselling author, renowned and award-winning television writer, editor of AFTER MIDNIGHT anthology)
Hostage (A Love Story) by Cheryl Yeko (author, WPA staff)
With a Foreword by Lee Child (author of the internationally bestselling Jack Reacher series, longtime WPA supporter)
Book Launch Party and You’re Invited!
Please join Level Best Books and the Writers’ Police Academy to help celebrate the launch of this thrilling new book, AFTER MIDNIGHT.
The launch party takes place at the Friday night reception at MurderCon, and books will be available for purchase at the event and soon by preorder. This will be the first of the Writers’ Police Academy’s new series of books. Stay tuned for more!
BIG NEWS on the WAY!
Also, here’s an important BOLO. Be On the Lookout for an exciting announcement coming from the Writers’ Police Academy and Level Best Books. There’s something very extremely cool brewing behind the scenes!
Regarding DNA and saliva, I’d like to note that it is indeed possible to expel DNA when coughing or sneezing. However, the fact that it’s possible doesn’t mean it’s always found, just that it could be. And, if found, it could be the DNA of someone other than than a suspect or victim, such as cop or lab scientist who was involved in the collection or testing of the evidence. Here’s why …
First, in the lab, to tell the difference between saliva and sputum, scientists look for epithelial cells. These cells have a nucleus, and within a nucleus DNA is found. Saliva is almost always present in the mouth, especially when we are awake. When we sneeze saliva and the DNA contained within is expelled.
FYI – Lab scientist/techs scan collected sputum samples for the presence or absence of white blood cells. White blood cells, not red, indicate infection. The presence of epithelial cells from saliva indicates the sample is contaminated with saliva, which would result in improper test results. Sputum is tested for respiratory tract infections.
By the way, red blood cells (erythrocytes) have/contain no nucleus nor do they contain mitochondria. Therefore, red blood cells do not contain DNA because there’s no nucleus in the cells.
Those of you who attended the WPA when world-renowned DNA expert Dr. Dan Krane presented a fantastic session on DNA evidence, may remember when he mentioned how DNA evidence is sometimes contaminated, such as using fingerprint brushes or gloves from one scene to process evidence in an entirely different location. DNA could be transferred using those items. He also pointed out instances where coughing or sneezing could distribute DNA to the surface of an item being processed. (Dr. Krane is a former colleague of my wife, Denene)
On with DNA and Sneezing
As an example of evidence contamination via sneezing, when discussing the Jon Benet Ramsey case, Dr. Krane says, “The DNA in tests could be there because of a contact that was weeks, months, even years before the crime occurred. It’s not possible to make inferences about the tissue source here. We can’t say that it came from semen or saliva or blood or anything. What if one of the medical examiners sneezed on one of these articles of clothing and it came into contact with the other one? There are just so many possibilities.”
Additionally, from another source, “It is extremely easy to contaminate biological samples; this can occur by failing to change gloves or clean instruments properly, failing to wipe down benches properly between testing, or by sneezing or even talking over a sample (Buckleton et al 2005:277).”
And, from the National Institute of Justice:
Because extremely small samples of DNA can be used as evidence, greater attention to contamination issues is necessary when identifying, collecting, and preserving DNA evidence. DNA evidence can be contaminated when DNA from another source gets mixed with DNA relevant to the case. This can happen when someone sneezes or coughs over the evidence or touches his/her mouth, nose, or other part of the face and then touches the area that may contain the DNA to be tested.
To avoid contamination of evidence that may contain DNA, always take the following precautions:
- Wear gloves. Change them often.
- Use disposable instruments or clean them thoroughly before and after handling each sample.
- Avoid touching the area where you believe DNA may exist.
- Avoid talking, sneezing, and coughing over evidence.
- Avoid touching your face, nose, and mouth when collecting and packaging evidence.
- Air-dry evidence thoroughly before packaging.
- Put evidence into new paper bags or envelopes, not into plastic bags. Do not use staples.
From the U.S. National Library of Medicine/National Institute of Heath/The National Center for Biotechnology Information (NCBI):
For DNA studies, one of the greatest laboratory barriers is the contamination of genetic material from other sources (e.g., from the examiner and other biological evidence). Contamination may occur during the sexual contact (e.g., if there is more than one perpetrator), during the period between the sexual contact and the FME, during the FME, and in the laboratory. In order to avoid it, examiners should take special precautions to prevent cross-contamination between evidences. For this purpose, it is important:
- to work under aseptic conditions to avoid microbial contamination;
- to always use disposable supplies to ensure individual protection (e.g., gowns, powder-free gloves, mask, or other protective clothing) and to avoid direct contact with the samples;
- to ensure that the room where FME takes place is regularly cleaned before and after patient use;
- to avoid sneezing, coughing, or talking over the samples;
Dr. Krane is one of the world’s foremost DNA experts, testifying worldwide as an expert witness in well over 100 criminal trials, in which DNA evidence was presented, such as the Jon Benet Ramsey case. He’s been involved as a top expert in other high-profile cases such as the DC Snipers, OJ Simpson case, and the infamous Monica Lewinsky/Bill Clinton “blue dress,” to name only a few. Dan also developed software that’s used in genetic analyzers, the devices used by scientists who conduct DNA tests.
My other source, in addition to our good friend Dr. Dan Krane, is, of course, my resident renowned expert, Dr. Denene Lofland.
Denene received a Ph.D. in Pathology, with an emphasis in microbiology, from Virginia Commonwealth University School of Medicine. As a former biotech company director, Denene managed successful clinical projects that resulted in regulatory filings of four compounds and FDA approval for two new antimicrobial drugs for the treatment of pneumonia and cystic fibrosis. The drugs are currently on the market.
Denene supervised several projects, including government-sponsored research which required her to maintain a secret security clearance. Her areas of expertise include medical microbiology, bioterrorism, and new drug discovery development. She has published numerous articles in a variety of peer reviewed scientific journals, contributed to the thirteenth edition of Bailey and Scott’s Diagnostic Microbiology, a textbook standard used in colleges and universities, published an article about anthrax in Police One magazine, and she has an upcoming tale in the Writers’ Police Academy’s anthology, After Midnight, Tales From the Graveyard Shift (edited by Phoef Sutton with foreword by Lee Child) ~ Level Best Books, publisher
Currently, Denene is an Associate Professor of Medical and Molecular Sciences at the University of Delaware. She also taught medical microbiology to medical students at a medical college in California. In her early days, prior to becoming a mad scientist, she managed the lab in a large, major hospital.
Over the years, I was fortunate to have the experience of witnessing Denene and her teams, and Dr. Krane’s team, perform numerous DNA testings using both gel electrophoresis and DNA Sequencers/Genetic Analyzers. I was once treated to conducting a test of my own in one of Dr. Dan Krane’s labs, an entire DNA test from extraction of sample to final result. I ran the test on the DNA of a strawberry, but hey, the process is the same as when using human samples. The strawberry was innocent, by the way.
Again, the fact that DNA is present in saliva, it doesn’t mean DNA is always found when someone sneezes or coughs, or talks over evidence (it’s even been found in traces of saliva found on a public phone receiver), just that it’s possible and that it does occur.
DNA Testing: The Process
The first step in the testing process is to extract DNA from the evidence sample. To do so, the scientist adds chemicals to the sample, a process that ruptures cells. When the cells open up DNA is released and is ready for examination.
DNA is actually visible to the naked eye. The slimy glob in the center of the circle below is DNA.
DNA is tested in devices like the one below. They’re called genetic analyzers. This particular device is located in one of Dr. Dan Krane’s laboratories.
DNA is loaded into wells inside the genetic analyzer. There are 96 wells in the gray, rectangular block shown below (inside the analyzer).
An electric current separates the DNA, sending it from the wells through narrow straw-like tubes called capillaries. During its journey through the analyzer, DNA passes by a laser. The laser causes the DNA loci (a gene’s position on a chromosome) to fluoresce as they pass by, which allows a tiny camera to capture their images.
The image below shows DNA’s path through the genetic analyzer (wells are on the left; capillaries are the arcing lines leading to laser and camera on the right).
Doctor Stephanie Smith points to the row of eight capillaries, one for each well in the corresponding line of wells (12 rows of 8 wells).
At the end of the testing, the equipment produces a graph/chart called an electropherogram.
Peaks on the graph depict the amount of DNA strands at each location. It is this unique pattern of peaks and valleys that scientist use to match or exclude suspects.
Or, in the case of paternity testing, to include or exclude someone as a parent.
The image below is an electropheragram showing the DNA of a strawberry.
Electropheragams are printed and it is this document that’s examined by experts for use in the ID/comparisons of sample contributors, such as suspects and victims.
Remember above when we discusses sneezing, coughing, and/or talking over DNA evidence? Well, here’s a DNA test result (electropheragram) of a contaminated sample, a mixture of DNA found on the body of a rape victim. The evidence was contaminated to the point that it was impossible to tell/prove whether or not Contributors 1 or 2 were involved in the assault. Notice that the peaks in the mixture do not quite match either suspect’s DNA.
The image below shows a clear match between the DNA of the victim and suspect. The suspect was clearly in contact, in some way, with the victim.
Identical twins have identical DNA.
Humans are genetically 99.9% identical. Only 0.1% of our genetic makeup is different.
It takes about eight hours for one cell to copy its own DNA.
Red blood cells do not contain DNA.
DNA is used to determine pedigree in livestock.
DNA is used to authenticate wine and caviar.
Detergent and Alcohol will not destroy DNA.
DNA can be transferred from article of clothing to another, even in a washing machine. This is called secondary and tertiary transfer.
DNA testing is not 100% accurate.
*My thanks to Dr. Stephanie Smith and Dr. Dan Krane for allowing me to hang out in their labs to take the above photos.
*Thanks, too, to the good folks at crimescenewriter for the idea for this post.
Have you reserved your spot at MurderCon? If not, there’s still time to do. Sign up today to attend this rare hands-on training event!
In the meantime, here’s a peek at the 2019 MurderCon instructors and speakers. The lineup is stellar!
Does your latest tall tale feature a beginning, middle, and end? How about characters, setting, and dialog? Have you been especially creative by inserting lots of sentences composed of various words with various meanings? Do you know the difference between a police chief and a sheriff? Are you aware that the FBI does not typically investigate local murder cases, that it is the duty of local police to solve those crimes?
If you answered yes to each of the above questions, well, you’ve taken a few of the appropriate first steps toward accurately writing about cops, crime, and crooks.
So, you conduct tons of research by visiting online websites and by participating in your local citizen’s police academy, and those are fantastic resources. But, have you considered going the extra mile by spending a bit of extra research time to develop ways to activate the senses of your readers? After all, using the senses is a huge key to the success of showing, not telling. And the use of the senses creates an important emotional connection between the story and the reader.
How does a writer create scenes that ignite a reader’s senses of touch, taste, hearing, smell, and sight? Well, for starters, they should call on past life experiences.
For example, Patricia Cornwall didn’t invent rain, leaves, or playing fields, but she obviously drew on her memories to create the passage below. It’s a simple scene, but it’s a scene I can easily picture in my mind as I read. I hear the rain and I feel the cool dampness of the asphalt, grass, and tile roof. The writing also conjures up images of raindrops slaloming down windowpanes, and rushing water sweeping the streets clean of debris. The splashing and buzzing sound of car tires pushing across water-covered roadways.
“It was raining in Richmond on Friday, June 6. The relentless downpour, which began at dawn, beat the lilies to naked stalks, and blacktop and sidewalks were littered with leaves. There were small rivers in the streets, and newborn ponds on playing fields and lawns. I went to sleep to the sound of water drumming on the slate roof…” ~ Patricia Cornwell, Post Mortem.
Sandra Brown takes us on brief journey through a pasture on a hot day. We know it’s hot because of the insect activity. We also know the heat of the day increases the intensity of the odor of horse manure. And, Brown effectively makes us all want to help Jack watch where he steps.
“Jack crossed the yard and went through a gate, then walked past a large barn and a corral where several horses were eating hay from a trough and whisking flies with their tails. Beyond the corral he opened the gate into a pasture, where he kept on the lookout for cow chips as he moved through the grass.” ~ Sandra Brown, Unspeakable.
Close your eyes for a moment and picture yourself walking into a bar, or restaurant. What do you see? Can you transform those images into a few simple words? How do you choose which words to use? Which words will effectively paint the picture and take the reader with you on your visit to the bar?
Here’s a decent rule of thumb – Write the scene and then remove all of those unnecessary flowery words, especially those that end in “ly.”
Too many “ly” words are often difficult for readers to take in. Besides, they can slow the story and do nothing to further it.
Lee Child is a master when it comes to describing a scene with few words. Here’s a fun exercise. Count the number of times Child uses an “ly” word in the text below. Then consider whether or not you would have used unnecessary “ly” words had you written this scene? Think maybe it’s time to step away from them?
“The bar was a token affair built across the corner of the room. It made a neat sharp triangle about seven or eight feet on a side. It was not really a bar in the sense that anybody was going to sit there and drink anything. It was just a focal point. It was somewhere to keep the liquor bottles. They were crowded three-deep on glass shelves in front of sandblasted mirrors. The register and credit card machine were on the bottom shelf.” ~ Lee Child, Running Blind.
Another example of effectively and masterfully projecting an image into a reader’s mind comes from James Lee Burke. Short. Sweet. And tremendously effective.
“Ida wore a pink skirt and a white blouse with lace on the collar; her arms and the top of her chest were powdered with strawberry freckles.” ~ James Lee Burke, Crusader’s Cross.
Okay, what does all of this have to do with writing about cops, you ask? Well, in the passages above, the authors created a micro world by using a few, but extremely powerful and carefully chosen words. And it’s obvious to the reader that each of the writers called upon their own experiences to write those scenes. They’ve been there and done that, and their imaginations have conjured up memories of things they’ve seen, touched, tasted, heard, and smelled.
Cops live and work in a unique world that’s generally not accessible to the average person, including writers. They experience things that most only read about or see on TV news reports. And that brings us full circle. How can a writer effectively write, and activate a reader’s senses, about something they’ve only read about or heard second and third hand from someone reading to them, word-for-word from a teleprompter?
I think Joseph Wambaugh, one of the best cop-writers of our time, offers a brilliant guideline to follow when writing cops. Wambaugh said, “The best crime stories are not about how cops work on cases. They’re about how cases work on cops.”
Paste Wambaugh’s quote near your computer. Glance it as you write. Keep it in mind while developing law enforcement characters and scenes.
Next, I encourage you to attend local citizen’s police academies and ride-alongs with officers Hang out with cops, interview them, listen to them, watch their mannerisms, etc. Trust me, it’s a world that’s entirely different than the life of someone outside the profession.
Naturally, I highly recommend attending the Writers’ Police Academy. The WPA is an event that’s carefully and meticulously (hmm … I used “ly” words) designed to offer writers the inside experience of what it’s like to be a police officer, investigator, firefighter, EMS personnel, K-9 handler, etc. We do not mix writing craft with hands-on experiences. We feel you can attend any number of excellent writers conferences to soak up that sort of information. Instead, our focus is on providing writers with the best hands-on academy training available anywhere.
We burn things so you can experience the heat and smoke of structure and car fires. We put you, the writer, in positions where you must make the life and death decisions faced by officers. You’ll feel the rush of adrenaline that comes with car chases and shootouts (you’ll participate in both). You’ll see and experience the emotions felt by officers during stressful situations.
We’ve provided the smell of gunpowder and gun oil by teaching writers how to shoot various firearms used by police. They’ve felt the texture, weight, and recoil of an AR-15 as they fired those rifles at the range. We’ve taken writers inside jails and prisons, into the sections that house the worst of the worst inmates, where they experienced the physical sensations of what it’s like to serve time.
At the Writers’ Police Academy, attendees see the flashing police lights, hear the sirens, see and hear helicopters landing. The hear the yells of entry teams (you’re a member of the team, by the way) as they storm a building to search for an armed bad guy. When you attend, you’ll feel your heart thumping against the inside of your chests when you’re placed in situatiosn where you must instantly decide whether or not to use deadly force.
This year we’ve gone far outside the typical WPA box by hosting the 2019 event at the headquarters of Sirchie, “the Global Leader in Crime Scene Investigation and Forensic Science Solutions. Sirchie provides quality Products, Vehicles, and Training to the global law enforcement and forensic science communities.”
That’s right, we’re taking writers to the source of crime scene investigation technology. It’s a rare opportunity for writers, one that’s not been done before. The focus of the 2019 WPA, called MurderCon, is homicide investigations, with hands-on classes and workshops taught by some of the top instructors in the world.
Hands-on events such as the Writers’ Police Academy, as well as local citizens’ academies and police ride-alongs, combined with using a real-life experience such as the WPA, or walking through a cow-chip-spattered pasture, is what breathes life into a story.
To sum up:
– Use your experiences to activate the senses of your readers. Let them enjoy tasting, touching, seeing, smelling, and hearing the words on each of your pages.
– Attend the Writers’ Police Academy. It’s the gold standard of providing writers with the absolute best hands-on training available. If attending the WPA is not possible, consider participating in a local citizen’s police academy and/or ride-alongs with on-duty police officers.
– Read books by established authors who write about police officers and investigations. See how they do it.
– Take advantage of your personal life experiences to help transform flat text into a vivid 3D picture or painting.
– Avoid the use of too many “ly” words. Editor Jodie Renner addressed this and other problem areas in an article she wrote for Doug Lyle’s blog. Jodie’s article is titled, Style Blunders in Fiction.
– Interview and/or chat with cops. Listen to what they have to say, and watch their mannerisms. Does Officer G. R. Done hitch up his pants each time he stands? Ask him if the habit is due to gravity tugging on the weight of his gun belt? Does his wince when he slides into his car seat? The slight moment of pain could be caused by a bit of skin caught between the bottom of his vest and gun belt. Yes, it happens and it hurts. But you have to watch for the little things and you have to ask. Those sorts of things are second nature to cops, so they won’t think to tell you about them.
– Finally, remember to refer to Joseph Wambaugh’s words of wisdom.
“The best crime stories are not about how cops work on cases. They’re about how cases work on cops.”
There are now additional spots available at the extremely rare and exciting event, MurderCon. You owe it to yourself and to your readers to attend. There’s nothing else like it in the entire world, and there may never be another!
Sign up today at …
We’ve had requests from folks who’re hoping to share hotel rooms at the 2019 Writers’ Police Academy’s exciting new event, MurderCon. If you are interested in doing so, please post your roommate preference (male or female)in the comment section below.
By the way, slots are available to attend MurderCon. We’ve made extra room and, we’ve increased the room block at our event hotel.
Sign up today to attend this rare, one-of-a-kind, hands-on training event taking place at the headquarters of Sirchie, the global leader in crime scene products and technology. This year our sole focus is homicide investigations.
Novelist, screenwriter, and television personality, Paul Bishop is a nationally recognized behaviorist and expert in deception detection. He spent 35 years with the Los Angeles Police Department where his high-profile Special Assault Units regularly produced the highest number of detective initiated arrests and highest crime clearance rates in the city. Twice selected as LAPD’s Detective of the Year, he currently conducts law enforcement related seminars for city, state, and private agencies. Paul has written numerous scripts for episodic television and is the author of fifteen novels, including the award-winning Lie Catchers and five books in his LAPD Homicide Detective Fey Croaker series.
Q. What’s the most common mistake made in books, movies or TV regarding interview & interrogation techniques?
A. Where to start … They do so much wrong. How about the most egregious and most common misconception- good cop, bad cop. You’ve seen it enacted over and over on every TV cop show ad infinitum. One detective is the out of control violent bad cop while his partner is the sympathetic good cop who is trying to help the suspect. However, the good cop can only control the rabid bad cop if the suspect confesses or gives up whatever information he’s hiding.
This is a straight-up violation of an individual’s 5th Amendment right against compelled self-incrimination. Not only would any evidence or admissions obtained through this method be thrown out of court, the cops who participated would themselves be arrested, prosecuted, and sent to jail for civil rights violations.
Q. What is your favorite method of interrogation? What works best for you?
A. Interrogation is a very intimate art, so when you see fictional TV cops, or even real cops on shows like 48 Hours, sitting on the opposite side of the interrogation room table from the suspect, you have to ask how the interaction between the suspect and the detective be construed as intimate.
I’m different, very low key. I rarely raise my voice in an interrogation, but I do vary the tone and intonation of my voice depending on what I’m trying to achieve.
I also rarely conduct interrogations in the classic interrogation room, as the room itself carries so much negative baggage. I’ll chose where to interrogate a suspect (house, work, a park, Starbucks) based on what I’m trying to achieve. If I do use the interrogation room, I have the table removed and I sit directly across from the suspect, operating in the zero to twelve-inch personal zone we reserve for those people we are most intimate with. I have a relatively short period of time to get a suspect to tell me their deepest darkest secrets, things that can get them sent to jail for a very long time. You are not going to tell those things to somebody you aren’t in an intimate relationship with, so I have to establish a believable false intimacy in order to coax out the truth.
Q. Are interrogation methods, such as the Reid Technique, susceptible to eliciting false confessions?
A. While the Reid Technique is an accusatory, confrontational process it isn’t any more prone to eliciting false confessions than any other legal technique. The biggest factor in false confessions is fatigue. In over 90% of cases where false confessions have been obtained, the interrogations have lasted over 10 hours-fatigue sets in on both the interrogator and the subject and mistakes get made. There are however, numerous ways to avoid false confessions and bulletproof your interrogation.
Q. Why is it important that writers learn proper interrogation methods?
A. Because being able to capture the essence of a real interrogation can be a hugely dramatic process that can deepen character, motivation, and story exponentially. Interrogation strips down the facades, and a writer who understands the process and how it works can make the scenes riveting.
Q. Can anyone be trained to be an effective interrogator or are certain inherent personality traits and talents essential for success?
A. I can teach anyone who is interested to be a skilled interrogator. Good interrogators take those skills and apply their own inherent personality in how they use them. Great interrogators, however, have to make a choice, because greatness involves empathy and that is a dark and dangerous path to tread, especially when it leads to the truth.
Q. Are any of the characters in your novels created in your own image?
A. Almost all my main characters have some part of me in them. It’s what I use to bring them alive. In my latest book, Lie Catchers, there is a great deal of me in both interrogators, Ray Pagan and Jane Randall, but there are also those things the characters channel through the creative process.
Q. Given your background, what is the hardest part of authoring a work of fiction?
A. The same as any other writer-putting my butt in the chair every day and coaxing words out of a cold, unfriendly keyboard.
Q. Are there any commonalities between the challenges an interrogator faces and those an author faces?
A. To be successful both involve getting to the truth. The truth is a movable point. It is always about perspective. As an interrogator, I will never get The Truth, but I must try to get as objectively close as I can even if I don’t like it. As a writer, I strive for a different type of truth-I want the truth in a correct sequence of words, I want truth of character and motivations, I want to expose the truth of our world and in our lives through the window of fictional truth. I write fiction. My job is to entertain, but my goal is to make readers think. If a reader can find the truth of themselves and their real-world challenges in my world of fictional truths, hopefully they will come away being both entertained and, perhaps, understanding themselves better.
* Interview conducted by author Linda Lovely, Writers’ Police Academy/MurderCon coordinator. LindaLovely.com
‘Truth or Lies: The Art of Interrogation’ to be presented by master interrogator Paul Bishop at …
Do you know the truth when you hear it or see it? Join nationally recognized behaviorist, interrogation expert, and experience LAPD detective Paul Bishop as he guides you into the intimate world of interrogation—where success or failure is determined before the first question is asked.
Understand the psychology of deception; what constitutes a successful interrogation; how an interrogator controls and uses a suspect’s vocal cues and physical gestures to determine truth from lies; how false confessions are avoided; how to build rapport; how interrogators deal with multiple suspects, gang members, and other hardcore suspects. Discover how these techniques can be applied in your everyday life when dealing with salesmen, difficult co-workers, or even family members. Know the ‘truth’ when you hear it and see it—and what to do once you know it.
Sign up today to reserve your spot!
The curtain rises on this collection of twisted tales, revealing the words of thriller author Lee Child. Child sets the stage for a series of mysterious and strange goings-on that occur between the hours of midnight and dawn … the graveyard shift.
After Midnighteditor Phoef Sutton guides readers through a riveting collection of stories written by bestselling mystery and crime authors, top television writers, a Nashville music legend, true crime experts and more.
Contributing authors in this first anthology produced by the Writers’ Police Academyinclude bestselling mystery and crime authors, top television writers, true crime experts, and more.
Lucky Cop by RJ Beam
The Brass Ringby Michael A. Black
Sunshine Berkmanby Joseph S Bonsall
Ride Alongby Allison Brennan
The Bookends Murderby Robin Burcell
Gentrified Homicideby Marco Conelli
Prime Rib from Brahmaby Les Edgerton
Justifiable Homicideby Lisa Klink
Rookiesby Howard Lewis
LeishMANIAby Denene Lofland
The Trapper of Macabre Countyby Lee Lofland
Code Murderby Linda Lovely
Baddest Outlawsby Rick McMahan
Shared Secretsby Carrie Stuart Parks
The Case of the Staring Manby Katherine Ramsland
Panther Baitby Mike Roche
Disco Fries and Homicideby Shawn Reilly Simmons
3:45 in the Peacock Room of the Channel Grill on 6th Street
by Phoef Sutton
Hostage (A Love Story)by Cheryl Yeko
With a Foreword by Lee Child
A 3500 to 5000 word short story contest that lands two lucky winners in this traditionally published book. Yes, your story could soon appear alongside those of the popular authors listed above, and with a foreword by #1 internally bestselling author Lee Child. How’s that for exciting! Contest begins now and deadline to submit stories is midnight EST on April 1, 2019.
This could be your one chance in a lifetime to have your writing appear in a traditionally published book with Lee’s Child’s name on its cover. Let that sink in for a minute … and then get busy writing your winning story!
About the Editor
Phoef Sutton is a New York Times Bestselling author and winner of two Emmy Awards for his work on the classic television comedy CHEERS. Phoef also won a Peabody Award for the popular legal drama BOSTON LEGAL starring James Spader, William Shatner, and Candice Bergen. Lately, he’s been writing television movies for the Hallmark Movies & Mysteries channel.
The Launch Party
Join the publisher of After Midnight, Level Best Books, and the Writers’ Police Academyto help celebrate the launch of this thrilling new book. Party takes place at the Friday reception at MurderConand books will be available for purchase at the event and by preorder, and later at all the usual book outlets, including Amazon.com.
Police officers put themselves in harm’s way, repeatedly, over the entire length of their careers. It’s the nature of the job. A typical day can include serving and protecting the public, dealing with civil unrest, and even having to face man-made and natural disasters. Most police officers prefer to live in a city that minimizes their personal risk of injury in the line of duty, that pays a good wage, and where the typical officer’s workload is reasonable.
Analysts at Safety.com have studied nearly 300 cities and regions across the nation to find the top 20 cities for police officers in 2019.
The coast of the United States accounts for less than 10 percent of the country’s land mass, yet it is home to nearly 40 percent of the population, some 55.8 million people.  With a few exceptions, coastal or near-coastal regions offer police the best career opportunities. For those not interested in living near the coast, three regions offer favorable alternatives …
To continue reading Sam Carson’s full article, please visit him at …
Sam Carson handles community relations and content creation for Safety.com. Sam previously worked in the telecommunications industry and has over two years of experience. He’s now bringing his home services expertise to the home security industry with a goal of helping families secure what matters most.
“Safety.com is a trusted hub of information about your home and family’s safety that provides a good customer experience through in-depth research, reviews and recommendations from industry experts to educate consumers on home safety products and give customers the power of choice when securing what matters most.”
Tickets are selling fast!
Please do hurry to reserve your place at this exciting one-of-a-kind opportunity for writers, readers, and fans. It’s never been done before and most likely will not occur again.
This is your chance to attend the actual hands-on classes taught to some of the best homicide investigators in the world, with all sessions taught by renowned instructors and experts.
This is not a citizens academy nor is it a collection the typically run-of-the-mill classes offered at so many writer events. In fact, even the Writers’ Police Academy, the premier law enforcement training event for writers, has not presented this extremely high level of intense and detailed instruction. Yes, MurderCon is that good.
This is as close as it gets to investigating an actual murder
This year we’ve gone over the top by carefully and painstakingly designing and offering a never-before-available opportunity for writers, readers, and fans. It’s the ultimate homicide investigation training event.
To sweeten the pot, immensely, we’ve arranged to host this event at the very source of much of the equipment, tools, and techniques utilized by homicide detectives …
You all know the importance of setting in your books, right?
For example, when your protagonists use Supergluing tactics to develop latent prints …
MurderCon attendees will work and train in the very setting where the fuming chambers were developed, brought to life, and then manufactured. Fingerprinting powders and brushes? Designed and made there too. Fingerprinting powders of all types, and there are many. Check. DNA testing? Check. Alternate light sources and RUVIS technology? Check. Evidence collection tools and kits and methods. Check. Buried body investigations. Check. Bloodstain patterns? Check, and some of the best investigators in the business teach those classes at the remote Sirchie compound just outside of Raleigh, N.C.
This seemingly endless list of top investigation education goes on and on and on. And you, non-law enforcement outsiders, have the rarest of rare opportunities to train there, at Sirchie, the global leader in crime scene investigation and forensic science solutions.
Imagine your senses being activated in ways they’ve not been in the past. That’s what’s going to happen at MurderCon, you know.
After MurderCon you’ll have the added knowledge of the very real odors associated with buried body and arson scenes.
Your eyes, ears, fingers and hands and noses and emotions will finally be able to join in with the writing of your next murder scene, because you’ll have had first-hand experience instead of relying on something you’ve read or heard someone say.
What you can expect upon graduating from MurderCon
A Fantastic Value!!!!
Browse Sirchie’s training schedule and you’ll see many of the sensational classes offered at MurderCon. Then peek at the cost of those sessions and you’ll quickly discover what a fantastic value it is to attend MurderCon.
MurderCon registration—the low fee of just $425—covers all classes, lunches, transportation to and from Sirchie, and more. Sirchie’s fee to attend, for example, just two classes—Clandestine Grave Search and Recovery and Arson Investigation for Law Enforcement—is just under $800. That’s the cost to attend only two of their outstanding classes (an extremely low fee for law enforcement, by the way).
MurderCon attendees have the opportunity to attend FIFTEEN different classes for nearly the same price as it would be to attend two at Sirchie.
What. A. Huge. Deal. For. YOU!
Sign up today at …
Killers, both fictional and the real-life murderers who live and walk alongside us as we carry on with our daily activities, will seemingly do anything to cover their tracks in order to avoid capture by the police. They flee the country. They lie. They stage alibies. And they sometimes use fire to conceal their crimes.
Setting aside fictional characters for a moment, let’s examine the very real case involving Gwendolyn Bewley, a 67-year-oldCleveland, Ohio woman whose charred remains were found on the kitchen floor inside her burning home. At the time of death, the body was in such poor condition that the medical examiner was unable to determine the actual cause of death.
Investigators thought it likely that Gwendolyn Bewley might have been strangled to death before her killer arranged paper and pieces of cardboard on and around her body before setting them ablaze. The purpose of the fire, they believed, was to destroy any possible evidence.
In the weeks prior the deadly fire, a man named Timothy Sheline moved next door to Ms. Bewley, into a home owned by his brother. Sheline’s broad criminal history included a 1989 aggravated arson conviction.
A couple of days after the fire and the discovery of Bewley’s body, police saw Sheline driving a car that Bewley had rented. They learned that one day after the fire Sheline had called Bewley’s sister to inquire about a lockbox Bewley kept inside her home. After further investigation, police discovered that Sheline had been using the dead woman’s credit cards to obtain cash. They also found her computer in his possession.
He was arrested and charged with unauthorized use of the car. He was also charged with the use of Gwendolyn Bewley’s credit cards.
Due to the lack of adequate cellphone tracking at the time of the arson, detectives were unable to tie Sheline to the scene of the crime. The alibi he offered appeared to be legimate. But investigators, having that “cops’ sixth sense” kept the file open, hoping to someday tie Sheline to Bewley’s murder.
Ironically, during Sheline’s trial for the use of the credit cards and unauthorized us of the car, prosecutors questioned the son of a woman who dated Sheline several years earlier. He described to the court how Sheline stole money from his mother and when she found out and confronted him about the missing cash, he set fire to her house. The blaze killed their family pet.
As time had passed, the team of investigators working this case grew to include local detectives, the State Fire Marshall’s Office, and the FBI, and it was, in 2014, approximately seven years after the initial crime occurred when new technology to cull data from cellphone towers became available. Experts received the break they’d been hoping for and immediately called on forensics expert Eric Devlin, who was able to successfully track Sheline’s cellphone. He discovered it had pinged off a tower less than two-tenths of mile away from Bewley’s house shortly before the time of the fire.
By utilizing that brand new cell-tracking technology process detectives were able to prove Sheline’s alibi was bogus. He was not out-of-state at the time of the murder as he’d claimed. The finally had the last piece of the puzzle needed to place Sheline behind bars for Bewley’s murder, the full “MOM”—motive, means, and … opportunity. He was in the area which meant he did indeed have the opportunity to commit the crime. The discovery shattered Sheline’s alibi.
Fire had not been enough to prevent this killer from serving the rest of his life in prison, where he now sits, day-in and day-out—24-7-365.
Arson Investigations Are Tough Work
Arson investigations are not fun. Not at all. Especially when they involve a murder where the killer used the fire to conceal the crime. Arson scene are extremely messy, smelly, and the evidence is unpleasant to handle and process, especially when the victim is badly burned. It’s horrid, actually, and the experience is one that is unlikely to leave the mind.
I’ve always said that it takes a special person to work an arson case. It also takes a special writer to effectively set those scenes to page, one who’s willing to do a bit of homework.
There’s science and a distinct discipline behind the solving arson cases. There’s an art to it, actually—to be able to iron-out the details and bring them all together to form a conclusion as to how fires start and the patterns that expose their sources.
That part I liked—the puzzle-solving that involves the combination of investigatory skills and experience along with modern forensic tools and equipment. After all, those puzzle pieces are in place at the precise moment the first ember begins to glow. They’re all there, ready for bagging and tagging, as long as everyone involved in the case does their part, correctly.
So how should authors approach writing about such complicated crimes? For starters, please do not rely on the internet to help you with developing sensation and emotion because you won’t find anything remotely close.
Sure, you’ll read about burn patterns and the tools used to delicately search through charred rubble in a search for evidence. But that’s not enough to take your readers inside a burning home where a murder victim was left behind to be destroyed along with a thirty-year old couch and the family photographs.
Why Attend the Writers’ Police Academy?
When we designed the Writers’ Police Academy, the very first one, we did so with writers in mind. We examined what it is that’s often lacking in so, so many books—real life experiences. The experiences that bring to mind the odor of burnt gunpowder (NOT cordite), the gut-wrenching feeling that occurs when a little one dies in your arms after being abused by a drug-addicted, extremely high parent. Yes there is a specific reason behind each and every session offered at the WPA, and typically each one has to do with something we’ve seen written incorrectly in someone’s book. We also keep writers up to date on the latest technology and procedures.
Bullets and Heartbeats!
The sound of bullets pinging and popping into the fender of a car you’re crouched behind as a crazed gunman lobs round after round in your direction. The sensation of your heart thumping against the inside of your chest wall as you search for an armed robber inside a dark abandoned warehouse.
Feeling the searing, unbearable heat that singes your eyebrows and warms your skin to temperatures you’re almost certain could fry eggs. The sight of what used to be a teller at a downtown bank, reduced to a blackened lump that resembles an adult-sized lump of scorched and charred charcoal. Fingers and toes separated from limbs due to ligaments and tendons having been burned away.
Seeing orangish-red flames undulate and spread across what was once a bedroom where a grandmother lay sleeping after enjoying an afternoon with her family. Those same flames push you back and back and back, choking off your oxygen and filling your throat and lungs with what feels like cotton soaked in molten lava.
You try and try and try until you succumb to the painful reality that there’s no chance whatsoever at saving the life of the elderly dear woman. You stand there gasping for fresh air while choking back tears, tears that when they’re finally released create tiny, curvy creeks in the soot staining your face.
But, unless you’ve, as they say, been there done that, you can only imagine what it’s like to experience these horrors.
So, that’s how and why we bring the Writers’ Police Academy to you each year. We want your stories to evoke emotion from your readers. We want your readers to know that you’ve done all you could possible do to entertain them in the ways they should be entertained. They’ll know this when they suddenly realize they’ve been reading your latest book until the wee hours of the morning, nonstop. Page after page after page.
We do our job so you can do yours. It’s as simple as that.
This year we’ve gone way over the top of what even we imagined eleven years ago when the WPA was nothing more than a wild idea in my mind. We’ve teamed up with a giant in the field of forensics and crime scene investigation, Sirchie, to offer to you, MurderCon, a special hands-on training event for writers of all genres, with a specific focus on solving the crime of murder.
Included in the MurderCon program is a one-of-a-kind class called Burn baby, Burn!!! Arson Investigation.
This is an outdoor session with live demonstrations of actual burns. Attendees will experience the effects of burning various pieces of evidence. Participants will learn the fundamentals of fire science, recognition of fire behavior including burn patterns and aftermath, and how fire is utilized by perpetrators during the commission of violent crimes and murder to attempt to conceal and/or destroy evidence.
Yes, you will receive instruction that not only covers the knowledge portion of fire and how it’s used to conceal crimes, we’re taking you on an adventure. A journey that delivers to you the sensations of touch, taste, smell, sound, and sight.
You’ll also experience a bit of emotion as you witness actual burns while using your writers’ imagery to picture what it must be like to be a victim who’s trapped inside the flames and heat and smoke. You’ll hear their cries (in your minds) and their pleas for help. You’ll sense what it’s like to be the officer on the outside looking in, helpless against an inferno. And you’ll imagine the body of a murder victim burning along with floorboards and window and door trim.
Burn Baby, Burn is a hands on training event that’ll surely help you breathe life into what should be an emotional rollercoaster ride for your readers.
This exciting session is taught by Ken Andrews.
Ken has over 30 years of fire investigation experience, including 28 years as an agent with the ATF and as a private consultant. He is an International Association of Arson Investigator’s (IAAI) Certified Fire Investigator and Certified Fire Investigation Instructor.
Ken was a member of ATF’s elite National Response Team (NRT) and an ATF Certified Explosives Specialist for 18 years. He has conducted investigations related to fire and explosions involving vehicles and residences as well as large industrial and commercial scenes. Ken has also instructed fire and explosion investigators nationally and internationally. During his career with ATF, he was a regular instructor at the National Fire Academy, Federal Law Enforcement Training Center and the International Law Enforcement Academy in Bangkok, Thailand.
To register for MurderCon and to learn more about the exciting 2019 classes and workshops, please visit our website at …
Writers’ Police Academy Anthology Full Details Released Today!
Writers’ Police Academy Anthology Full Details Released Today!
Details also include a short story contest that lands you in a published book, with foreword by Lee Child. Yes, YOU could have YOUR story published in this thrilling collection of tales written bestselling mystery and crime authors, top television writers, true crime experts, a Nashville music legend, and more.
Contest winners receive an invitation to sign copies at a book launch party taking place at MurderCon. Launch party and reception sponsored by the publisher, Level Best Books, and the Writers’ Police Academy.
AFTER MIDNIGHT: TALES FROM THE GRAVEYARD SHIFT
Edited by Phoef Sutton – Phoef Sutton is a New York Times Bestselling author and winner of two Emmy Awards for his work on the classic television comedy CHEERS. Phoef also won a Peabody Award for the popular legal drama BOSTON LEGAL starring James Spader, William Shatner, and Candice Bergen.
About the book – The curtain rises on this collection of twisted tales, revealing the words of bestselling thriller author Lee Child. Child sets the stage for a series of mysterious and strange goings-on that occur between the hours of midnight and dawn … the graveyard shift.
Property crimes take up a huge portion of a patrol officer’s day. First, there’s the initial response, making sure the suspect isn’t still on the scene (or arresting the dummy if he is).
Then comes the report, questioning the witnesses, and sometimes having to stand there while people belittle the officer with snide remarks, often made quite loudly and rudely, even before they’ve had the time to remove the ink pen from their shirt pocket to begin note-taking. Starting with the standard—“I pay your salary.”
Next comes a crowd favorite that seemly plays on an endless loop.
- “Where were you while my house was being robbed?”
Houses aren’t robbed, by the way. Only people can be robbed. So please do make note of the following.
- A burglary is normally defined as the breaking and entering into a building, (usually during the nighttime) for the purpose of committing a crime, such as larceny. A robbery is the taking of property from one person by another, by violence, force, and/or intimidation, such as being held up at gunpoint.
ROBBERIES REQUIRE A FACE-TO-FACE TAKING OF PROPERTY FROM ONE PERSON BY ANOTHER, BY FORCE, THREAT, OR INTIMIDATION.
And on it goes. On and on. Those lovely little comments that are often shouted while you’re trying to help the victims property crimes, and others.
2. “If you’d spend more time on the street instead eating doughnuts all day then this wouldn’t have happened.”
3. “Aren’t you going to take fingerprints? They take them on CSI shows. I seen ’em do it.”
Okay, first, the doughnut thing is really, really old and tired, folks. Most present day officers eat well, exercise, and enjoy fruit or other healthy snacks. Many departments conduct regular health assessments and require physical fitness testing. So it’s probably a good idea to move on to something more modern or risk having your material appear dated.
Next, where is it that officers should “take fingerprints? Home, back to the office, on a date? Fingerprints are lifted, processed, developed, etc., and then those pieces of evidence are “taken” back to the department where they’re then sent to the experts for comparison.
4. “Why don’t you do your job instead of sitting in your car waiting for speeders. Can’t you find real criminals?”
FYI – Speeders are indeed law-breakers since driving above the posted speed limit is illegal. Many departments assign a group of officers to work traffic details, such as speed limit enforcement(running radar). This means that other officers are assigned to duties such as responding to criminal complaint cases.
5. “I’ll have your badge for this.”
6. “I play golf with the chief, you know. And he’s going to hear about this.”
7. “Find some DNA.”
8. “There ain’t no Mickey Mouse crap like this on CSI. No, sir. Not on COPS, neither”
And that, my friends, is what police officers all across country experience every day, day-in and day-out. But wait, it gets better.
Next comes the actual evidence collection. Now, keep in mind that this is a residence where people come and go all the time. And they touch things. In fact, they touch EVERYTHING. So what does that mean? Yep, there are fingerprints on nearly every single item in the house.
Contrary to the top-notch experts on fictional TV shows, officers cannot tell which of those prints belong to a bad guy merely by looking at them. No one can. In fact, chances are, the burglar’s (not robber’s) prints are not on file anyway.
Please keep in mind that in order to locate a suspect using fingerprints found at a crime scene, a copy of the suspect’s fingerprints must be stored within a database used by police, such as a department’s database or the national database maintained by the FBI.
Officers know deep down in their hearts that in spite of taking the time, sometime for several hours, to process, develop, and collect a bunch loops and whorls taped to evidence cards, well, they’ll soon learn that the fingerprints they’ve spent the better part of a morning or afternoon to collect are probably of absolutely no value whatsoever. But they do it anyway … time and time again. Over and over and over. Why? Because residents demand it. Sometimes, though, you do get lucky and get a match.
So, if fingerprints aren’t the number one way to catch a burglar, what is? Well, there’s no one answer to the question. Actually, solving a property crime, such as B&E, involves a lot of steps. And the sum of those steps equals “good police work.”
Solving Property Crimes
So what are some of the things officers should do to solve property crimes?
- Responding officers should always document the scene as they found it, not after everyone has walked through and fumbled with each item they pass.
- Question all witnesses.
- Check for points of entry and exit. Are there toolmarks? Are those tools still on the scene?
- Is there broken glass? Blood on the glass (DNA?).
- Footprints outside? (or, in the carpet or on the tile flooring)
- Lights on or off? (suspect may have touched the switches)
- Glasses on the kitchen counter? (suspects sometimes help themselves to food and drink)
- Check the wall behind the toilet for fingerprints. Sometimes male criminals use the restroom at the scene and while doing so they place a hand on the hall.
- Likewise, the underside of a toilet seat is another likely spot to find prints. Unless, of course, the burglar is totally uncouth and doesn’t lift the seat.
- Look for the “evidence trail.” Offenders sometimes drop things during their exit. It’s not unusual to follow a trail of dropped evidence and then find the suspect sitting at the other end (not like a trail of breadcrumbs, but close).
- Were there serial numbers on the missing items, and were they recorded?
ALWAYS recored the serial numbers of your valuable items. This is handy for insurance claims. Even when using a moving company to relate, it’s a must to record serial numbers in the event they, and they do, lose items.
- Who would benefit from this crime? A real thief (drug addict, perhaps), or someone who desperately needs to collect some insurance money?
- Have similar crimes occurred? If so, where and how close to this scene? Talk to other officers. Compare notes.
- Talk to informants and street people. They know a lot and they often enjoy spilling the beans, especially if telling what they know earns them a few dollars.
- Check all pawn shops and drug dealers who’re known to take property in exchange for “goods.” Sometimes they’ll hand over stolen property to get the cops off their backs. After all, it’s bad for business to have police officers hanging around their turf.
In some areas, pawn shops are required to submit a daily list (to the police) of each item purchased.
- When officers finally do make an arrest, and they usually do, they should always ask the offender about other crimes in the area. Sometimes, officers solve several cases by merely asking a simple question or two.
And then there’s the number one tactic … common sense. Using it goes a long way toward solving a case. It’s also a great tool to use when writing cops.
So, if you’re writing a scene where your cop protagonist does something that doesn’t exactly seem right, or, if your common sense tells you it’s wrong, then I’d suggest doing this …
MurderCon registration is still open. Please do yourself and your readers a huge favor by attending this fantastic and rare opportunity. There’s never been anything like and there may never be again.
Countdown to the WPA
The Writers’ Police Academy
Get to Know Lee Lofland
Lee Lofland is a nationally acclaimed expert on police procedure and crime-scene investigation, and is a popular conference, workshop, and motivational speaker.
Lee has consulted for many bestselling authors, television and film writers, and for online magazines. Lee has appeared as an expert on national television, BBC Television, and radio shows.
Lee is the host and founder of the Writers’ Police Academy, an exciting, one-of-a-kind, hands-on event where writers, readers, and fans learn and train at an actual police academy.
To schedule Lee for your event, contact him at email@example.com.