Have you done the unthinkable? Are there words in your latest tale that could send your book straight to someone’s “Wouldn’t Read In A Million Years” pile? How can you avoid such disaster, you ask? Fortunately, following these four simple rules could save the day.
1. Use caution when writing cop slang. What you hear on TV may not be the language used by real police officers. And, what is proper terminology and/or slang in one area may be totally unheard of in another. A great example are the slang terms Vic (Victim), Wit (Witness), and Perp (Perpetrator). These shortened words are NOT universally spoken by all cops. In fact, I think I’m fairly safe in saying the use of these is not typical across the U.S., if at all.
2. Simply because a law enforcement officer wears a shiny star-shaped badge and drives a car bearing a “Sheriff” logo does not mean they are all “sheriffs.” Please, please, please stop writing this in your stories. A sheriff is an elected official who is in charge of the department, and there’s only one per sheriff’s office. The head honcho. The Boss. All others working there are appointed by the sheriff to assist him/her with their duties. Those appointees are called DEPUTY SHERIFFS. Therefore, unless the boss himself shows up at your door to serve you with a jury summons, which is highly unlikely unless you live in a county populated by only three residents, two dogs, and a mule, the LEO’s you see driving around your county are deputies. Andy was the sheriff (the boss) and Barney was his deputy.
3. The rogue detective who’s pulled from a case yet sets out on his own to solve it anyway. I know, it sounds cool, but it’s highly unlikely that an already overworked detective would drop all other cases (and there are many) to embark on some bizarre singlehanded quest to take down the infamous serial killer/cannibal I.B. Cookinppl.
Believe me, most investigators would gladly lighten their case loads by one, or more. Besides, to disobey orders from a superior officer is an excellent means of landing a fun assignment (back in uniform on the graveyard shift ) directing traffic at the intersection of Dumbass and Mistake.
4. Those of you who’ve written scenes where a cocky FBI agent speeds into town to tell the local chief or sheriff to step aside because she’s taking over the murder case du jour…well, get out the bottle of white-out because it doesn’t happen. The same for those scenes where the FBI agent forces the sheriff out of his office so she can set up shop. No. No. And No. The agent would quickly find herself being escorted back to her guvment vehicle.
The FBI does not investigate local murder cases. I’ll say that again. The FBI does not investigate local murder cases. And, in case you misunderstood … the FBI does not investigate local murder cases. Nor do they have the authority to order a sheriff or chief out of their offices. Yeah, right … that would happen in real life (in case you can’t see me right now, I’m giving a big roll of my eyes).
Okay, I understand you’re writing fiction, which means you get to make up stuff. And that’s cool. However, the stuff you make up must be believable. Not necessarily fact, just believable. Write it so your readers can suspend reality, even if only for a short time Your fans want to trust you, and they’ll go out of their way to give you the benefit of the doubt. Really, they will. But, for goodness sake, give them something to work with—without an info dump, give readers a reason to believe/understand what they’ve just seen on your pages. A tiny morsel of believability goes a long way.
But if you’re going for realism, then please do some real homework. I say this because I recently began reading a book and I’d barely made it halfway through the first chapter when I tossed it into my WRIAMY pile (Wouldn’t Read In A Million Years). This was a ARC a publisher sent me to review, by the way.
It was obvious the author was going for realism, and it was also painfully obvious the writer’s method of research was a couple of quick visits to the internet and maybe a viewing of one or two of the old Police Academy (comedy) movies.
So, is there a WRIAMY pile in your house? Worse … have you written something that could land one of your tales in someone’s “Wouldn’t Read In A Million Years” pile of unreadable books? If so, perhaps it’s time to change your research methods.
A great means to assist in adding realism to your work is to, of course, attend the Writers’ Police Academy! Registration for the 2018 WPA, our 10th anniversary blowout, opens on February 18, 2018. You will not want to miss this thrilling experience. It is THE event of the year!